Beautiful corset gowns and bandage dresses were constructed with tiny slivers of super-shiny silk in pastel colours and multi-coloured prints. There were macs worn with waist-accentuating wrestler belts and perforated leather sitting side-by-side with soft flowing silk. The show was classic Versace: cut-out detailing, tight form-fitting dresses and bold colours; Jessica Alba summed up the show perfectly: "sexy, strong, warrior."
Waists and hips were accentuated by architectural styling and large pockets, modernising the classic 50s couture silhouette. There were full-skirted strapless gowns seemingly cut off at the upper thigh and worn with cigarette trousers instead. Heavy embroidery and pastel colours were matched with sharp tailoring: truly modern twists on timeless classics.
Simons' modest elegance was embraced by Giambattista Valli too, in what was only his second ever couture show. There was a bucolic fairytale theme floating through this collection: romantic ruffles, watercolour floral prints, and hues of red and green.
But the dream-like whimsy threatened to choke the models, whose dresses at times appeared overly fussy and stuffy; ruffles reached, and indeed surpassed, Elizabethan proportions and veils covered the models' faces. Beneath the ostentatious embellishments were classic silhouettes: knee-length pencil dresses and full-skirted ballgowns in pretty prints with appliquéd embellishments.